knitted anatomy

Mag. Dr. phil. Dr. med. Katharina Sabernig

Zirkus des Wissens

Circus of knowledge

Wie sind wir gestrickT?


A somewhat different kind of anatomical theater by Katharina Sabernig, Nora Dirisamer, Rebekah Wild and Alexander Brosch
A partnership between the Circus of Knowledge and the University of Applied Arts Vienna (an Austrian Science Fund PEEK project, "Gestrickte Körper Materialität" (doi: 10.55776/AR705)
Suitable for ages 6+ 

Theatre Premiere: April 13, 2024 - 14.00

The latest video 

Immunological Enmeshments


The video can be used to support teaching at schools or universities. Viewers with a general interest in art may develop a certain interest about scientific matters through the textile impressions.

LAST Exhibition

Threads of Life - Textiles in medicine and the Arts

14.06.-14.07.2023

Eröffnung | Opening: 13.06.2023,  18.00 


Opening hours
Mon, Tue, Wed, Fr: 13.00 – 18.00; Thu: 13.00 – 20.00


Location:
AIL – Angewandte Interdisciplinary Lab / Café Exchange
Georg-Coch-Platz 2
1010 Wien


Exhibition

Gestrickte Anatomie | Knitted Anatomy  

Eröffnung | Opening: 12.05.2023,  9.00 

Öffnungszeiten | Opening hours 

08.00 - 20.00
An Feiertagen und an Wochenenden geschlossen
Closed on holidays and weekends

Medizinische Universität Graz
in Kooperation mit Markt der Zukunft und
Neue Galerie Graz, Universalmuseum Joanneum
13.-30.Mai 2023

Neue Stiftingtalstraße 6
8010 Graz 
Aula-Umgang, 1. Stock, Med Uni Campus Ost

Kuratiert von | Curated by:
Günther Holler-Schuster, Wolfgang Schlag

Abbildung | Image: © Katharina Sabernig,
Tatia Skhirtladze

Exhibition

Knitted Anatomy / Gestrickte Anatomie


NEUE GALERIE GRAZ
STUDIO
Universalmuseum Joanneum
24.03.-03.07.2022

catalogue online

Why Knitting ?

The human senses are capable of perceiving things outside the body in different ways. When looking at a picture, for example, one can compare and evaluate the things perceived against earlier visual impressions. However, it is not possible to look inside the body. For medically educated people, as well as for medical laymen, it is a challenge to get an adequate image of what exists in the body or what exactly happens. If you actually look inside, such as in the case of a serious injury, this is usually an alarming and often traumatic experience. The inside of the body is a sphere to which one normally has no direct sensory access in spite of the directly subjective feeling of it.
In the course of medical treatment it is often necessary to explain to a patient what the diagnosis means concretely or what kind of intervention is to be carried out. However, conventional graphical representations of the inside of the body are often perceived as unpleasant and disturbing, if not disgusting – especially when the illustrations are realistic or intended to depict a disease that affects oneself. Historian of science Marieke Hendriksen once put it this way: "sensory perception and a sense of beauty necessarily also includes the development of strategies to deal with the visceral disgust encountered in the process of gaining anatomical knowledge " (Elegant Anatomy, Leiden 2015, p. 205).
It can be said that this visceral disgust is on one hand a natural human reaction, but on the other, it can be disturbing in certain situations and can obstruct a clear view of what is happening. Anatomical representations in knitted form generally do not trigger this protective reaction. It seems to be an inherent characteristic of the medium to be associated with warmth, security and care, and this is a marked difference to graphic or even photographic presentations of a dissected body interior. Thus, knitted objects offer a way of dealing with this visceral disgust – outwitting it, so to speak – in order to gently convey medical content. A person looking at anatomical or pathological images will be particularly vulnerable if he or she happens to be helpless in the exact pathological state that needs to be explained or if specifically those parts of the body require clarification where the surgery is to be performed.
On this website you will find not only knitted anatomical illustrations but also histopathological tissue forms that show stages of tumour growth and possibilities for surgery. My basic hypothesis is that the specific abstraction inherent in knitting as a form of representation will prevent the disgust reflex that normally occurs with other forms of representation. I believe that this can facilitate reflection on one's own condition.  When presented in knitted form, the anatomy appears harmless, familiar and not threatening. This may, I hope, contribute to patients being able to perceive and understand their somatic situation in a way that is less fraught with fear or other negative emotions.


Katharina Sabernig is a physician and medical anthropologist with a research history on depicted anatomy, visualized medicine and Tibetan medical terminology. Inspired by the diversity of anatomical representation and the ethical questions associated with this art, she began knitting anatomically in 2015. In the project presented here, she knits the topography of internal organs and their vascular supply of various anatomical systems. The macroanatomical structures are shown by knitted objects which are about the size of an adult person, histological structures in appropriate magnification.

Katharina Sabernig, September 2020

Katharina presenting the genetic blueprint of the spike protein of the Delta variant in colourfully knitted coils.

Knitted AnatomY

Feedback, suggestions and questions will be greatly appreciated (in English or German)

Österreich

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